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Tag: graduation

Aaike Stuart – Quake + Stone Works

Stone Works and Quake – explore current relations to media technology, or better, to the outside world through media technology. Both, moving and photographic imagery has been obtained from the web and transferred to physical objects. Causing them to get distorted, cracked and shaken up. Due to the application of natural forces, Aaike Stuart examines materiality in the digital age.   Quake The video installation Quake is an attempt to stabilize video footage of the 2015 Nepal earthquake in a physical manner by setting the projector into counter-movement, using a subwoofer. Being a form of ‘expanded cinema’, Quake addresses the interactions

Silke Schwarz, Ode und Ich

Ode und Ich untersucht die Macht der Inszenierung, der Kontrolle und den Körper als kritische Masse. In der Installation wird unser Begehren nach Perfektionierung, Idealen und Körperkult aufgegriffen. Es werden durch Demontage, Überspitzung, Verfremdung und Überlagerung stereotypische Repräsentationen hinterfragt und die Vereinheitlichung unseres Individualisierungszwangs beleuchtet. Ode and I examines the power of staging, control and the body as a critical mass. In the installation our desire for perfection, ideals and body cult is getting centered. Through disassembly, exaggeration, alienation and superimposition, stereotypical representations and the compulsion of our individualization are questioned.     Ode und Ich Installation, 2018 Audio 8:15,

Sabrina Labis graduation project

[Show thumbnails] Graduation Project KuM, 2017 Sabrina Labis A Personal Color Correction (2017) Experimental Video, 05:22 min The video ‘A Personal Color Correction’ deals with different aspects of color in film and the transformation from analog to digital techniques of color correction. The work specifically focuses on the role of women in film production and is an homage to all female film colorists who were an important part of the early film industry. Finally this video ‘corrects’ the male-dominated documentation of film history in a personal and subjective way. Studio (2017) Neon Light, 27×10 cm ‘Studio’ is a place of

Graduation project from Eleanor Jones

[Show thumbnails] Eleanor Jones AI in Arcadia, 2016 This was a two-part work presented in a performance lecture and a double screen video installation. The performance lecture addresses the vulnerability of the artist’s body and the performance of proving one’s “body of work” to the judge of an audience, in this case an examination context. She attempted to deconstruct the constraints of an artist’s presentation, with silent performance, narrative, and critical analysis. Without voice, the body of the artist acts as a semantic channel with which the audience are forced to engage in decoding meaning throughout the presentation. This plays