Loading...

KUNST RAUM STADT

Eine Demonstration für die Künste. In einem Kreis mit einem Durchmesser von 2020 Metern um den UdK-Standort Hardenbergstraße 33 werden über einen Zeitraum von 24 Stunden künstlerische Begegnungen und Interventionen zwischen Künstler*innen der UdK Berlin und den Berliner*innen stattfinden.  Im Rahmen dieser Aktion zeigen am Do 16. Juli ab 21.45 Uhr Studierende der Klassen Experimenteller Film/Medienkunst, Videoarbeiten in den Fenstern des Konzertsaales Hardenbergstraße 33 / Ecke Fasanenstraße

Die Klasse Experimenteller Film und Medienkunst im Gespräch mit Dr. Emanuel Wyler

Die Klasse Experimenteller Film und Medienkunst präsentiert: Ein Gespräch mit Dr. Emanuel Wyler, Molekularbiologe und derzeit Postdoc im Labor von Prof. Markus Landthaler am Max Delbrück Centrum für Molekulare Medizin über den aktuellen Stand der Erforschung des Coronavirus. Das Gespräch fand im Rahmen des Seminars „Neue Formen des Forschens II“ von Prof. Nina Fischer und Dr. des. Christina Landbrecht statt.

EMAF

EMAF – European Media Art Festival, THERE WAS NO FESTIVAL 22 to 26 of April 2020 – STREAMING First Person Plural – How much “we” does the “I” contain? I, you, he / she / it, we, you, they – a grammatical system is indis- pensable for anyone learning a new language. Yet “I” and “you” can be the same person – depending on the eye of the beholder. This year, EMAF is dealing with the first person plural, the “we”, which can quickly become “you” through the demarcation by its counterpart or “they” by third parties. This was the theme

Posts on blog category

This Part only shows the text from the post in the Blog category. It can be used for sharing short informations, links, opinion, poem, etc. You can add the images as well but it won’t appear on the main page. emogi supported 👍

New function for our blog : Post✍and Comment

Students can post images and text on our current situation blog. First, resister for this blog. You need to ask Tutor to get your own account. If you log in successfully, you can find text editor on the Post menu. There are two categories you need to choose, ‘Blog’ and ‘Image Wall.’, the contents from each category will be shown on the main page separately. This is the sample of how the text will be shown in Blog Category.  If you choose Image wall category, don’t forget to attach at least one image on your post.  We can also leave a comment

Archive, Bibliotheken, Datenbank im open access

Auf der Website des Instituts ist eine Liste mit offen, zugänglichen Datenbanken und Archiven zusammengestellt. Viele Anmelde- und Bezahlschranken sind angesichts der Schließung der Bibliotheken aufgehoben worden. Das ist ein gutes Zeichen für Open Science. https://www.udk-berlin.de/universitaet/fakultaet-gestaltung/institute/institut-fuer-geschichte-und-theorie-der-gestaltung/sommersemester-2019/  

STRANGE THINGS

STRANGE THINGS is an exhibition from classes of Generative Art (Alberto de Campo), Experimental Film/Media Art (Nina Fischer), Narrative Film (Thomas Arslan), Moving Image (Anna Anders) and New Media (Joachim Sauter) VERNISSAGE: 8.1.2020, Ab 18 Uhr AUSSTELLUNGSDAUER: 8.1. bis 10.1.2020 ORT: Silent green, Gerichtstr. 35, 13347 Berlin ÖFFNUNGSZEITEN Mittwoch, 8.1. , 18 – 23 Uhr, Donnerstag, 9.1., 12 – 20 Uhr, Freitag, 10.1., 12 – 23 Uhr Strang_Things_Flyer https://www.udk-berlin.de/studium/kunst-und-medien/  

Dovilė Aleksaitė Graduation Project

Let’s talk about the weather (2019) Single channel video installation, 12:07 min, loop A video explores a desire to control one’s surrounding environment and predict the future. A fictional weather forecast introduces the viewer through a succesion of weather events—rain, wind or growth of grass—and different emotional states. In this work Aleksaite combines Beaufort`s scale of wind with a David R. Hawkins scale of emotions: High vibrating emotions come together with a light wind and the wind gets stronger as the emotions as anger or shame come along.

Interview with Christian Jankoswsky at VAM

Videoart at Midnight – Campus 15 to 16 Dec 2018 As a collaboration, students from HGB Leipzig, Art University Kassel and Berlin University of the Arts launched a series of panel discussions with renowned artists in the field of time-based media. The Students’ Campus provides a platform for conversations between the artists of the festival and students from different partner art schools. On December 15 and 16, the students invite selected artists for conversations on topics that are relevant to their studies and artistic development. The growth of video art today, the relationship between media and performance, or the intersections

Rundgang 2019

Installation by Hara ShinImmaterial Mapping, Hara Shin, single-channel video, 11:11 min., 2018Hyper-Collective, Hara Shin, 2019DELETED, Installation by Mengxuan Sun, Chen Hsiang FuSingularis, audiovisual Performance: Kathrin Hunze, Alberto de Campo, Hannes Hoelzl, Isak Han, Katharina Hauke and Till Bovermann Ding! audiovisual performance by Mengxuan Sun

METHEXIS – on site sensitivity and it’s Entanglements ll: from Methexis to Praxis

A seminar by Nina Fischer, Marina Fokidis* and Lilli Kuschel WHAT IS TOPOS? (LOCATION) AND WHAT IS TIME IN THE GLOBALISED HYPERLINKED BRAVE TRANSWOLRD? How necessary is it to speak exclusively in terms of concrete geography and distinctions? Especially, if we want to define a destiny that claims real freedom or at least an attempt at it. From where do we start, if we want to open up a possibility for discursive change to occur? Whose experiences are being narrated here by whom and why?” How can we go even further, beyond the cultural dependence between the “center” and the

Kathrin Hunze, Singularis

SS 2019 Graduation Project The audiovisual performance ‘Singularis’ deals with biological and information technology granular processes in the social context. We undergo unconscious or conscious self-control through Quantified Self management and evolve into improved, elevated people. This process can be described as a singularization of man. Singularis is a Granalysator in which collected biological matter is scanned into point clouds and through an audiovisual granular system is transformed into synthetic bodies. Through the Granalysator emerges an artificially created mesocosmos. “A high-resolution world and the singularized human being are conceivable only in a complex network, in a web of interactions.” -Christoph

Hara Shin Graduation Project

Mouthless Dialogue single-channel video, 6:07 min., 2019 Technology and digital imaging allow us to optimise alternative experiences to satisfy a certain absence in reality. The optimised state is simulated in the scope of artificial alternatives such as artificial sun-lighting for light therapy, machine-made nature sounds to relax the body and mind, ASMR and cosmic and natural images, screensaver-like, on the computer screen. The human psyche encounters the vulnerable and subtle tension of reality surrounded by technical illusions.   Immaterial Mapping single-channel video, 11:11 min., 2018 As an experiment in digital topography, the scenes drift along within the cognitive space —

Ding! * Mengxuan Sun

Audiovisual Live Performance SS 2019 Graduation Project The growing visual language of digital technology and the Internet in the physical world has created an endless landscape. In addition to the landscape, the relationship changed by the network provide people a shared utopian vision. Everything can be shared and consumed. Nowadays human beings have adapted to the world which symbiosis with human race and intelligent machines. The human body becomes an interface that connects reality and virtuality. Human beings are no longer considered to be natural objects that God has made with clay. Humans make machines and parasitic on machines. The

KORRESPONDENZEN / Eine Film- und Kunstreihe im KulturRaum Zwingli-Kirche

11. April 2019 19.30 – 22.30 Uhr UMWIDMUNGEN #1 KATHARINA COPONY / LOLA GÖLLER 09. Mai 2019 19.30 – 22.30 Uhr UMWIDMUNGEN #2 LUCIA MARGARITA BAUER / SILVINA DER MERGUERDITCHIAN 13. Juni 2019 19.30 – 22.30 Uhr UMWIDMUNGEN #3 LAURA HORELLI / CONSTANZE FISCHBECK 12. September 2019 19.30 – 22.30 Uhr UMWIDMUNGEN #4 KAROLIN MEUNIER / CINENOVA DISTRIBUTION 17. Oktober 2019 19.30 – 22.30 Uhr UMWIDMUNGEN #5 NOAM GORBAT & KEREN NATHAN / KRISTINA PAUSTIAN 31. Oktober 2019 19.30 – 22.30 Uhr UMWIDMUNGEN #6 KERSTIN CMELKA / MONIKA RINCK / ANN COTTEN Ort KulturRaum Zwingli Kirche e.V, Rudolfstraße 14 /

Methexis : On Site–Sensitivity and Its Entanglements I

With Marina Fokidis Within two weeks end of November, we were discussing with the curator Marina Fokidis different concepts that are related to the term Methexis. Methexis (from Ancient Greek) can be translated as „the unaccountable“. The term describes a form of theatre in which the audience participates and improvises, as well as the relation between the particular and the platonic form in Philosophy. Together we approached a possible definition of Methexis by mapping and discussing related topics, such as site-sensitivity, the construction of identity, un-learning, colonial structures, …This process was informed by input from Marina, different readings, artworks and films. In

Aaike Stuart – Quake + Stone Works

Stone Works and Quake – explore current relations to media technology, or better, to the outside world through media technology. Both, moving and photographic imagery has been obtained from the web and transferred to physical objects. Causing them to get distorted, cracked and shaken up. Due to the application of natural forces, Aaike Stuart examines materiality in the digital age.   Quake The video installation Quake is an attempt to stabilize video footage of the 2015 Nepal earthquake in a physical manner by setting the projector into counter-movement, using a subwoofer. Being a form of ‘expanded cinema’, Quake addresses the interactions

Examining The Edge + Habitability Salon

Examining the edge, peripheries in the mind and in the city Exhibition 25.6. – 30.8.2018 Opening: 24.6., from 6 pm Students from the class Experimental Film and Media Art, University of the Arts Berlin, will be living and creating on the edge, both in thoughts and the periphery. The exhibition will conclude with a film and performance evening event. ‘Living on the edge’: when we think of spaces we tend to think of the space within. We leave the edges — the peripheries — where instability festers and sprawls out, for the rebellious or the adventurous. In cities, living at

STUDENTS OF THE SUMMER SEMESTER 2018

SS 2018: Sina Ataeian Negar Bayat Aija Bley Nils Leon Brauer Kristen Cammack Antonio Castles Yigit Daldikler Florian Goldmann Ana Halina Ringleb Haye Heerten Hannes Hirsch Lisa Hoffmann Martin Hofmann Moritz Hossli Chen Hsiangfu Kathrin Hunze Arik Kofranek Dariia Kuzmych Yonjoo Lee Nik Mantilla Caroline Neumann Victor Bruno Rodrigues David Schöler Hara Shin Nicolas Spitzer Aaike Stuart Mengxuan Sun Hikaru Suzuki Daniel Theiler Patrick Wallochny Pooneh Yekta Hana Yoo  

Silke Schwarz, Ode und Ich

Ode und Ich untersucht die Macht der Inszenierung, der Kontrolle und den Körper als kritische Masse. In der Installation wird unser Begehren nach Perfektionierung, Idealen und Körperkult aufgegriffen. Es werden durch Demontage, Überspitzung, Verfremdung und Überlagerung stereotypische Repräsentationen hinterfragt und die Vereinheitlichung unseres Individualisierungszwangs beleuchtet. Ode and I examines the power of staging, control and the body as a critical mass. In the installation our desire for perfection, ideals and body cult is getting centered. Through disassembly, exaggeration, alienation and superimposition, stereotypical representations and the compulsion of our individualization are questioned.     Ode und Ich Installation, 2018 Audio 8:15,

Current Situation Ausstellung in Zwingli-Kirche

Die Ausstellung zeigte aktuelle Filme, Videos, Installationen und Performances von Studenten und Absolventen der Klasse Experimenteller Film- und Medienkunst der UDK Berlin, Prof. Nina Fischer. Welche Positionen werden wir auf dem Weg in eine posthumane Welt einnehmen? Überlassen wir die Entwicklung den Technologiekonzernen oder gestalten wir sie mit? Folgen wir deren Strategien oder finden wir neue Formen des ethisch/politisch/ künstlerischen Handelns?

Sabrina Labis graduation project

[Show thumbnails] Graduation Project KuM, 2017 Sabrina Labis A Personal Color Correction (2017) Experimental Video, 05:22 min The video ‘A Personal Color Correction’ deals with different aspects of color in film and the transformation from analog to digital techniques of color correction. The work specifically focuses on the role of women in film production and is an homage to all female film colorists who were an important part of the early film industry. Finally this video ‘corrects’ the male-dominated documentation of film history in a personal and subjective way. Studio (2017) Neon Light, 27×10 cm ‘Studio’ is a place of